{"id":1115,"date":"2016-04-15T15:00:00","date_gmt":"2016-04-15T13:00:00","guid":{"rendered":"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/?p=1115"},"modified":"2016-04-15T15:02:36","modified_gmt":"2016-04-15T13:02:36","slug":"wisch-und-weg","status":"publish","type":"post","link":"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/2016\/04\/15\/wisch-und-weg\/","title":{"rendered":"Wisch und Weg"},"content":{"rendered":"<p>Ein Kunstwerk ber\u00fchren? Es ver\u00e4ndern? Auf einer Kunstmesse? Unm\u00f6glich! Naja, nicht ganz. Die Galerie Evelyn Yard aus Gro\u00dfbritannien stellt die Werke eines K\u00fcnstlers vor, die sich ver\u00e4ndern lassen, ohne das Originalbild zu verunstalten.<\/p>\n<iframe width=\"100%\" height=\"450\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F259221126&auto_play=false&hide_related=false&visual=true&show_comments=true&color=false&show_user=true&show_reposts=false\"><\/iframe>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_1119\" aria-describedby=\"caption-attachment-1119\" style=\"width: 632px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/i1.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2016\/04\/Bild-in-Beitrag.jpg\"><img data-attachment-id=\"1119\" data-permalink=\"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/2016\/04\/15\/wisch-und-weg\/bild-in-beitrag\/\" data-orig-file=\"https:\/\/i1.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2016\/04\/Bild-in-Beitrag.jpg?fit=5312%2C2988\" data-orig-size=\"5312,2988\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;2.2&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;SM-G900F&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1460724179&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;4.8&quot;,&quot;iso&quot;:&quot;100&quot;,&quot;shutter_speed&quot;:&quot;0.030303030303&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;6&quot;}\" data-image-title=\"Bild in Beitrag\" data-image-description=\"\" data-medium-file=\"https:\/\/i1.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2016\/04\/Bild-in-Beitrag.jpg?fit=632%2C356\" data-large-file=\"https:\/\/i1.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2016\/04\/Bild-in-Beitrag.jpg?fit=1020%2C574\" loading=\"lazy\" class=\"wp-image-1119 size-medium\" src=\"https:\/\/i1.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2016\/04\/Bild-in-Beitrag.jpg?resize=632%2C356\" alt=\"Bild in Beitrag\" width=\"632\" height=\"356\" srcset=\"https:\/\/i1.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2016\/04\/Bild-in-Beitrag.jpg?resize=632%2C356 632w, https:\/\/i1.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2016\/04\/Bild-in-Beitrag.jpg?resize=1020%2C574 1020w, https:\/\/i1.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2016\/04\/Bild-in-Beitrag.jpg?resize=276%2C155 276w, https:\/\/i1.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2016\/04\/Bild-in-Beitrag.jpg?resize=50%2C28 50w, https:\/\/i1.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2016\/04\/Bild-in-Beitrag.jpg?w=2040 2040w, https:\/\/i1.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2016\/04\/Bild-in-Beitrag.jpg?w=3060 3060w\" sizes=\"(max-width: 632px) 100vw, 632px\" data-recalc-dims=\"1\" \/><\/a><figcaption id=\"caption-attachment-1119\" class=\"wp-caption-text\">Neue Technik trifft auf Kunst \u2013 das hier verschwommen dargestellte Gesicht stammt von einem Screenshot der App \u201ePeriscope\u201c<\/figcaption><\/figure>\n<h4>So sieht der Pinselstrich aus<\/h4>\n<div class=\"jetpack-video-wrapper\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe class='youtube-player' width='420' height='315' src='https:\/\/www.youtube.com\/embed\/V_JgntEb0_M?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=de-DE&#038;autohide=2&#038;wmode=transparent' allowfullscreen='true' style='border:0;' sandbox='allow-scripts allow-same-origin allow-popups allow-presentation'><\/iframe><\/span><\/div>\n<p><em>(Von Andreas Fricke)<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<div class=\"entry-summary\">\nEin Kunstwerk ber\u00fchren? Es ver\u00e4ndern? Auf einer Kunstmesse? Unm\u00f6glich! Naja, nicht ganz.&hellip;\n<\/div>\n<div class=\"link-more\"><a href=\"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/2016\/04\/15\/wisch-und-weg\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &ldquo;Wisch und Weg&rdquo;<\/span>&hellip;<\/a><\/div>\n","protected":false},"author":120,"featured_media":1121,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[3],"tags":[46,114,83],"jetpack_featured_media_url":"https:\/\/i1.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2016\/04\/Titelbild.jpg?fit=5312%2C2988","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p63LW5-hZ","_links":{"self":[{"href":"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-json\/wp\/v2\/posts\/1115"}],"collection":[{"href":"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-json\/wp\/v2\/users\/120"}],"replies":[{"embeddable":true,"href":"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-json\/wp\/v2\/comments?post=1115"}],"version-history":[{"count":3,"href":"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-json\/wp\/v2\/posts\/1115\/revisions"}],"predecessor-version":[{"id":1123,"href":"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-json\/wp\/v2\/posts\/1115\/revisions\/1123"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-json\/wp\/v2\/media\/1121"}],"wp:attachment":[{"href":"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-json\/wp\/v2\/media?parent=1115"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-json\/wp\/v2\/categories?post=1115"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-json\/wp\/v2\/tags?post=1115"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}