{"id":1161,"date":"2016-04-15T16:09:40","date_gmt":"2016-04-15T14:09:40","guid":{"rendered":"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/?p=1161"},"modified":"2016-04-15T21:19:48","modified_gmt":"2016-04-15T19:19:48","slug":"die-top-10-der-schwaerzesten-bilder-der-50-art-cologne","status":"publish","type":"post","link":"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/2016\/04\/15\/die-top-10-der-schwaerzesten-bilder-der-50-art-cologne\/","title":{"rendered":"Die Top 10 der schw\u00e4rzesten Bilder der 50. ART COLOGNE"},"content":{"rendered":"<div id=\"AppleMailSignature\">\n<p><strong>Oft kommt es vor, dass Kunst bei Menschen auf wenig Verst\u00e4ndnis trifft. Ist man kein Kunstkenner sieht das eine oder andere Bild auch einfach nur daher gemalt aus.\u00a0Insbesondere wenn die Bilder schwarz sind.<\/strong><\/p>\n<p>Auf dem Messegel\u00e4nde der ART COLOGNE\u00a0finden sich dieses Jahr zwischen bunten Portraits und abstrakten Gem\u00e4lden eben auch schwarze Bilder. Schwarz als Farbe, die die Gem\u00fcter spaltet. Beschimpft als Farbe, die keine Farbe ist, oder gefeiert als Lebenseinstellung. Nicht zu vergessen die Fraktion denen Schwarz auch einfach egal ist.<\/p>\n<p>F\u00fcr K\u00fcnstler ist Schwarz aber auch nicht gleich Schwarz, und das konnte die ART COLOGNE\u00a0dieses Jahr beweisen. K\u00fcnstler Pierre Bismuth benutzte f\u00fcr sein Werk Black Paintings eine ganz spezielle Technik und Art \u201eSchwarz\u201c darzustellen:<\/p>\n<p>F\u00fcr Black Paintings \u201eentwendet\u201c Pierre Bismuth Disney Figuren aus den Malb\u00fcchern f\u00fcr Kinder. W\u00e4hrend dort die verschiedenen Teile der Figuren in unterschiedlichen Farben ausgemalt werden, begn\u00fcgt sich Bismuth damit \u2013 nachdem er die Umrisse der Figuren stark vergr\u00f6\u00dfert auf der Leinwand darstellte \u2013 alle Fl\u00e4chen mit einer einzigen Farbe auszumalen: Schwarz. Die kr\u00e4ftigen Pinselstriche, teilweise auch Fingermalerei, welche er in dieser Serie anwendet, zeigen eine gestische, informelle Arbeitsweise, die er gleichzeitig ironisiert. Durch die ausschlie\u00dfliche Verwendung der Farbe Schwarz und durch das \u201eVerschwindenlassen\u201c der Zeichnung, betont er den performativen Charakter der Malerei hervor. Eine Art Nihilismus, der den simplen Disney-Merchandising-Produkten erneut eine beinah mystische, wenn auch leicht sp\u00f6ttische Dimension verleiht.<\/p>\n<p>Wieder ein Beweis, dass Schwarz eben nicht gleich Schwarz ist. Auf welche Art andere K\u00fcnstler die Farbe Schwarz aufgegriffen und umgesetzt haben k\u00f6nnen Sie in der Top 10 der schw\u00e4rzesten Bilder der ART COLOGNE 2016 sehen:<\/p>\n<\/div>\n<div><\/div>\n<div>\n\n<div class=\"ngg-galleryoverview ngg-slideshow\"\n\t id=\"ngg-slideshow-1191-2446957730\"\n     data-gallery-id=\"1191\"\n     style=\"max-width: 700px; max-height: 500px;\">\n\n \t<div id=\"ngg-image-0\" class=\"ngg-gallery-slideshow-image\" style=\"height:500px\">\n\n        <a href=\"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/nggallery\/black\/Image-1.jpg\"\n           title=\"\"\n           data-src=\"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/nggallery\/black\/Image-1.jpg\"\n           data-thumbnail=\"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/nggallery\/black\/thumbs\/thumbs_Image-1.jpg\"\n           data-image-id=\"46\"\n           data-title=\"Pierre Soulages, 2011\"\n           data-description=\"\"\n           class=\"ngg-fancybox\" rel=\"1191\">\n\n            <img data-image-id='46'\n                 title=\"\"\n                 alt=\"Pierre Soulages, 2011\"\n                 src=\"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/nggallery\/black\/Image-1.jpg\"\n                 style=\"max-height: 480px;\"\/>\n        <\/a>\n\n        <\/div> \n<div id=\"ngg-image-1\" class=\"ngg-gallery-slideshow-image\" style=\"height:500px\">\n\n        <a href=\"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/nggallery\/black\/Image-2.jpg\"\n           title=\"\"\n           data-src=\"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/nggallery\/black\/Image-2.jpg\"\n           data-thumbnail=\"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/nggallery\/black\/thumbs\/thumbs_Image-2.jpg\"\n           data-image-id=\"47\"\n           data-title=\"Andre Butter, 2014 \u2013 &quot;Untitled&quot;\"\n           data-description=\"\"\n           class=\"ngg-fancybox\" rel=\"1191\">\n\n            <img data-image-id='47'\n                 title=\"\"\n                 alt=\"Andre Butter, 2014 \u2013 &quot;Untitled&quot;\"\n                 src=\"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/nggallery\/black\/Image-2.jpg\"\n                 style=\"max-height: 480px;\"\/>\n        <\/a>\n\n        <\/div> \n<div id=\"ngg-image-2\" class=\"ngg-gallery-slideshow-image\" style=\"height:500px\">\n\n        <a href=\"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/nggallery\/black\/Image-3.jpg\"\n           title=\"\"\n           data-src=\"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/nggallery\/black\/Image-3.jpg\"\n           data-thumbnail=\"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/nggallery\/black\/thumbs\/thumbs_Image-3.jpg\"\n           data-image-id=\"48\"\n           data-title=\"Richard Serra, 1984 \u2013 &quot;Tujunga Blacktop&quot;\"\n           data-description=\"\"\n           class=\"ngg-fancybox\" rel=\"1191\">\n\n            <img data-image-id='48'\n                 title=\"\"\n                 alt=\"Richard Serra, 1984 \u2013 &quot;Tujunga Blacktop&quot;\"\n                 src=\"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/nggallery\/black\/Image-3.jpg\"\n                 style=\"max-height: 480px;\"\/>\n        <\/a>\n\n        <\/div> \n<div id=\"ngg-image-3\" class=\"ngg-gallery-slideshow-image\" style=\"height:500px\">\n\n        <a href=\"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/nggallery\/black\/Image-4.jpg\"\n           title=\"\"\n           data-src=\"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/nggallery\/black\/Image-4.jpg\"\n           data-thumbnail=\"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/nggallery\/black\/thumbs\/thumbs_Image-4.jpg\"\n           data-image-id=\"49\"\n           data-title=\"Richard Serra, 1978 \u2013 &quot;Untitled&quot;\"\n           data-description=\"\"\n           class=\"ngg-fancybox\" rel=\"1191\">\n\n            <img data-image-id='49'\n                 title=\"\"\n                 alt=\"Richard Serra, 1978 \u2013 &quot;Untitled&quot;\"\n                 src=\"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/nggallery\/black\/Image-4.jpg\"\n                 style=\"max-height: 480px;\"\/>\n        <\/a>\n\n        <\/div> \n<div id=\"ngg-image-4\" class=\"ngg-gallery-slideshow-image\" style=\"height:500px\">\n\n        <a href=\"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/nggallery\/black\/Image-5.jpg\"\n           title=\"\"\n           data-src=\"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/nggallery\/black\/Image-5.jpg\"\n           data-thumbnail=\"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/nggallery\/black\/thumbs\/thumbs_Image-5.jpg\"\n           data-image-id=\"50\"\n           data-title=\"Frank Gerritz, 2015 \u2013 &quot;Steady As She Goes&quot;\"\n           data-description=\"\"\n           class=\"ngg-fancybox\" rel=\"1191\">\n\n            <img data-image-id='50'\n                 title=\"\"\n                 alt=\"Frank Gerritz, 2015 \u2013 &quot;Steady As She Goes&quot;\"\n                 src=\"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/nggallery\/black\/Image-5.jpg\"\n                 style=\"max-height: 480px;\"\/>\n        <\/a>\n\n        <\/div> \n<div id=\"ngg-image-5\" class=\"ngg-gallery-slideshow-image\" style=\"height:500px\">\n\n        <a href=\"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/nggallery\/black\/Image-6.jpg\"\n           title=\"\"\n           data-src=\"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/nggallery\/black\/Image-6.jpg\"\n           data-thumbnail=\"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/nggallery\/black\/thumbs\/thumbs_Image-6.jpg\"\n           data-image-id=\"51\"\n           data-title=\"Takesada Matasutani, 1997 \u2013 &quot;Une Ligne&quot;\"\n           data-description=\"\"\n           class=\"ngg-fancybox\" rel=\"1191\">\n\n            <img data-image-id='51'\n                 title=\"\"\n                 alt=\"Takesada Matasutani, 1997 \u2013 &quot;Une Ligne&quot;\"\n                 src=\"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/nggallery\/black\/Image-6.jpg\"\n                 style=\"max-height: 480px;\"\/>\n        <\/a>\n\n        <\/div> \n<div id=\"ngg-image-6\" class=\"ngg-gallery-slideshow-image\" style=\"height:500px\">\n\n        <a href=\"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/nggallery\/black\/Image-7.jpg\"\n           title=\"\"\n           data-src=\"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/nggallery\/black\/Image-7.jpg\"\n           data-thumbnail=\"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/nggallery\/black\/thumbs\/thumbs_Image-7.jpg\"\n           data-image-id=\"52\"\n           data-title=\"Bernard Frize, 2016 \u2013 &quot;Luca&quot;\"\n           data-description=\"\"\n           class=\"ngg-fancybox\" rel=\"1191\">\n\n            <img data-image-id='52'\n                 title=\"\"\n                 alt=\"Bernard Frize, 2016 \u2013 &quot;Luca&quot;\"\n                 src=\"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/nggallery\/black\/Image-7.jpg\"\n                 style=\"max-height: 480px;\"\/>\n        <\/a>\n\n        <\/div> \n<div id=\"ngg-image-7\" class=\"ngg-gallery-slideshow-image\" style=\"height:500px\">\n\n        <a href=\"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/nggallery\/black\/Image-8.jpg\"\n           title=\"\"\n           data-src=\"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/nggallery\/black\/Image-8.jpg\"\n           data-thumbnail=\"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/nggallery\/black\/thumbs\/thumbs_Image-8.jpg\"\n           data-image-id=\"53\"\n           data-title=\"Natalia Zaluska\"\n           data-description=\"\"\n           class=\"ngg-fancybox\" rel=\"1191\">\n\n            <img data-image-id='53'\n                 title=\"\"\n                 alt=\"Natalia Zaluska\"\n                 src=\"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/nggallery\/black\/Image-8.jpg\"\n                 style=\"max-height: 480px;\"\/>\n        <\/a>\n\n        <\/div> \n<div id=\"ngg-image-8\" class=\"ngg-gallery-slideshow-image\" style=\"height:500px\">\n\n        <a href=\"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/nggallery\/black\/Image-9.jpg\"\n           title=\"\"\n           data-src=\"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/nggallery\/black\/Image-9.jpg\"\n           data-thumbnail=\"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/nggallery\/black\/thumbs\/thumbs_Image-9.jpg\"\n           data-image-id=\"54\"\n           data-title=\"Pierre Bismuth, 2008 \u2013 &quot;Black Paintints&quot;\"\n           data-description=\"\"\n           class=\"ngg-fancybox\" rel=\"1191\">\n\n            <img data-image-id='54'\n                 title=\"\"\n                 alt=\"Pierre Bismuth, 2008 \u2013 &quot;Black Paintints&quot;\"\n                 src=\"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/nggallery\/black\/Image-9.jpg\"\n                 style=\"max-height: 480px;\"\/>\n        <\/a>\n\n        <\/div> \n<div id=\"ngg-image-9\" class=\"ngg-gallery-slideshow-image\" style=\"height:500px\">\n\n        <a href=\"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/nggallery\/black\/Image-10.jpg\"\n           title=\"\"\n           data-src=\"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/nggallery\/black\/Image-10.jpg\"\n           data-thumbnail=\"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/nggallery\/black\/thumbs\/thumbs_Image-10.jpg\"\n           data-image-id=\"55\"\n           data-title=\"David Ostrowski, 2016 \u2013 &quot;F (Every Night I Dream)\"\n           data-description=\"\"\n           class=\"ngg-fancybox\" rel=\"1191\">\n\n            <img data-image-id='55'\n                 title=\"\"\n                 alt=\"David Ostrowski, 2016 \u2013 &quot;F (Every Night I Dream)\"\n                 src=\"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/nggallery\/black\/Image-10.jpg\"\n                 style=\"max-height: 480px;\"\/>\n        <\/a>\n\n        <\/div> \n<\/div>\n\n\n\n<\/div>\n<div><\/div>\n<div><em>(von Samira Frassa)<\/em><\/div>\n","protected":false},"excerpt":{"rendered":"<div class=\"entry-summary\">\nOft kommt es vor, dass Kunst bei Menschen auf wenig Verst\u00e4ndnis trifft.&hellip;\n<\/div>\n<div class=\"link-more\"><a href=\"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/2016\/04\/15\/die-top-10-der-schwaerzesten-bilder-der-50-art-cologne\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &ldquo;Die Top 10 der schw\u00e4rzesten Bilder der 50. ART COLOGNE&rdquo;<\/span>&hellip;<\/a><\/div>\n","protected":false},"author":106,"featured_media":1195,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[5,27],"tags":[46,126,125],"jetpack_featured_media_url":"https:\/\/i1.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2016\/04\/art_16_005_034.jpg?fit=3600%2C2106","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p63LW5-iJ","_links":{"self":[{"href":"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-json\/wp\/v2\/posts\/1161"}],"collection":[{"href":"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-json\/wp\/v2\/users\/106"}],"replies":[{"embeddable":true,"href":"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-json\/wp\/v2\/comments?post=1161"}],"version-history":[{"count":6,"href":"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-json\/wp\/v2\/posts\/1161\/revisions"}],"predecessor-version":[{"id":1245,"href":"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-json\/wp\/v2\/posts\/1161\/revisions\/1245"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-json\/wp\/v2\/media\/1195"}],"wp:attachment":[{"href":"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-json\/wp\/v2\/media?parent=1161"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-json\/wp\/v2\/categories?post=1161"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-json\/wp\/v2\/tags?post=1161"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}