{"id":1218,"date":"2016-04-15T18:28:39","date_gmt":"2016-04-15T16:28:39","guid":{"rendered":"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/?p=1218"},"modified":"2016-04-15T18:28:52","modified_gmt":"2016-04-15T16:28:52","slug":"gallery-goes-digital","status":"publish","type":"post","link":"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/2016\/04\/15\/gallery-goes-digital\/","title":{"rendered":"Gallery goes digital"},"content":{"rendered":"<p>Einige wanna-be Endzeitpropheten sehen gleich den n\u00e4chsten Untergang einer klassischen\u00a0Branche &#8211; manche mit positivem Progressivismus und andere wehm\u00fctigem Herzens.<br \/>\n<br class=\"\" \/>Aber ist die digitale Revolution tats\u00e4chlich die Bedrohung der klassischen Galerie? Ich habe mich auf der ART COLOGNE umgeh\u00f6rt\u00a0und Galeristen zur Digitalisierung befragt.<\/p>\n<iframe width=\"100%\" height=\"450\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F259249833&auto_play=false&hide_related=false&visual=true&show_comments=true&color=false&show_user=true&show_reposts=false\"><\/iframe>\n<p><em>(von Philipp Schl\u00f6mer)<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<div class=\"entry-summary\">\nEinige wanna-be Endzeitpropheten sehen gleich den n\u00e4chsten Untergang einer klassischen\u00a0Branche &#8211; manche&hellip;\n<\/div>\n<div class=\"link-more\"><a href=\"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/2016\/04\/15\/gallery-goes-digital\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &ldquo;Gallery goes digital&rdquo;<\/span>&hellip;<\/a><\/div>\n","protected":false},"author":120,"featured_media":1219,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[6],"tags":[46,15,129,85,84],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2016\/04\/Beitragsbild2.jpg?fit=3264%2C2448","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p63LW5-jE","_links":{"self":[{"href":"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-json\/wp\/v2\/posts\/1218"}],"collection":[{"href":"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-json\/wp\/v2\/users\/120"}],"replies":[{"embeddable":true,"href":"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-json\/wp\/v2\/comments?post=1218"}],"version-history":[{"count":2,"href":"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-json\/wp\/v2\/posts\/1218\/revisions"}],"predecessor-version":[{"id":1221,"href":"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-json\/wp\/v2\/posts\/1218\/revisions\/1221"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-json\/wp\/v2\/media\/1219"}],"wp:attachment":[{"href":"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-json\/wp\/v2\/media?parent=1218"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-json\/wp\/v2\/categories?post=1218"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-json\/wp\/v2\/tags?post=1218"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}