{"id":1884,"date":"2017-04-28T15:07:32","date_gmt":"2017-04-28T13:07:32","guid":{"rendered":"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/?p=1884"},"modified":"2017-05-01T17:56:10","modified_gmt":"2017-05-01T15:56:10","slug":"kunstkriminalitaet","status":"publish","type":"post","link":"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/2017\/04\/28\/kunstkriminalitaet\/","title":{"rendered":"Kunstkriminalit\u00e4t"},"content":{"rendered":"<p>Bei dem ganzen Trubel rund um die Kunstmesse ART COLOGNE, stellt man sich die Frage, wie pr\u00e4sent das Thema Kriminalit\u00e4t in der Kunstszene ist.<\/p>\n<div class=\"jetpack-video-wrapper\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe class='youtube-player' width='1020' height='574' src='https:\/\/www.youtube.com\/embed\/PovGQeB3TdU?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=de-DE&#038;autohide=2&#038;wmode=transparent' allowfullscreen='true' style='border:0;' sandbox='allow-scripts allow-same-origin allow-popups allow-presentation'><\/iframe><\/span><\/div>\n<p><em>(von Sophie Halbfas-Alterauge und Hanna Valentin)<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<div class=\"entry-summary\">\nBei dem ganzen Trubel rund um die Kunstmesse ART COLOGNE, stellt man&hellip;\n<\/div>\n<div class=\"link-more\"><a href=\"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/2017\/04\/28\/kunstkriminalitaet\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &ldquo;Kunstkriminalit\u00e4t&rdquo;<\/span>&hellip;<\/a><\/div>\n","protected":false},"author":136,"featured_media":1885,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[5],"tags":[171,177,46,153,86,85,241,83],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2017\/04\/Screenshot-875-e1493384818497.png?fit=1580%2C776","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p63LW5-uo","_links":{"self":[{"href":"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-json\/wp\/v2\/posts\/1884"}],"collection":[{"href":"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-json\/wp\/v2\/users\/136"}],"replies":[{"embeddable":true,"href":"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-json\/wp\/v2\/comments?post=1884"}],"version-history":[{"count":7,"href":"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-json\/wp\/v2\/posts\/1884\/revisions"}],"predecessor-version":[{"id":1922,"href":"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-json\/wp\/v2\/posts\/1884\/revisions\/1922"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-json\/wp\/v2\/media\/1885"}],"wp:attachment":[{"href":"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-json\/wp\/v2\/media?parent=1884"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-json\/wp\/v2\/categories?post=1884"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-json\/wp\/v2\/tags?post=1884"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}