{"id":400,"date":"2015-04-18T14:34:23","date_gmt":"2015-04-18T12:34:23","guid":{"rendered":"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/?p=400"},"modified":"2015-04-19T11:39:38","modified_gmt":"2015-04-19T09:39:38","slug":"top-10-skurrilste-kunstwerke","status":"publish","type":"post","link":"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/2015\/04\/18\/top-10-skurrilste-kunstwerke\/","title":{"rendered":"Top 10 &#8211; Skurrilste Kunstwerke"},"content":{"rendered":"<p style=\"text-align: center\"><strong>Platz 1:<\/strong><br \/>\n&#8222;Schauspieler&#8220; (Isa Genzken)<br \/>\n<a href=\"https:\/\/i2.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/2.-Brain-Legs-Jan-Fabre.jpg\"><img data-attachment-id=\"401\" data-permalink=\"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/2015\/04\/18\/top-10-skurrilste-kunstwerke\/1-schaupieler-isa-genzken\/\" data-orig-file=\"https:\/\/i0.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/1.-Schaupieler-Isa-Genzken.jpg?fit=1330%2C2364\" data-orig-size=\"1330,2364\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;2.25&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;BlackBerry Z10&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1429099458&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;4.04&quot;,&quot;iso&quot;:&quot;70&quot;,&quot;shutter_speed&quot;:&quot;0.02&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"1. Schaupieler (Isa Genzken)\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/1.-Schaupieler-Isa-Genzken.jpg?fit=632%2C1123\" data-large-file=\"https:\/\/i0.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/1.-Schaupieler-Isa-Genzken.jpg?fit=1020%2C1813\" loading=\"lazy\" class=\"  wp-image-401 aligncenter\" src=\"https:\/\/i0.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/1.-Schaupieler-Isa-Genzken.jpg?resize=450%2C800\" alt=\"1. Schaupieler (Isa Genzken)\" width=\"450\" height=\"800\" srcset=\"https:\/\/i0.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/1.-Schaupieler-Isa-Genzken.jpg?resize=632%2C1123 632w, https:\/\/i0.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/1.-Schaupieler-Isa-Genzken.jpg?resize=1020%2C1813 1020w, https:\/\/i0.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/1.-Schaupieler-Isa-Genzken.jpg?resize=600%2C1066 600w, https:\/\/i0.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/1.-Schaupieler-Isa-Genzken.jpg?w=1330 1330w\" sizes=\"(max-width: 450px) 100vw, 450px\" data-recalc-dims=\"1\" \/><\/a><\/p>\n<p style=\"text-align: center\"><strong>Platz 2:<\/strong><br \/>\n&#8222;Brain Legs&#8220; (Jan Fabre)<br \/>\n<a href=\"https:\/\/i2.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/2.-Brain-Legs-Jan-Fabre.jpg\"><img data-attachment-id=\"402\" data-permalink=\"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/2015\/04\/18\/top-10-skurrilste-kunstwerke\/2-brain-legs-jan-fabre\/\" data-orig-file=\"https:\/\/i2.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/2.-Brain-Legs-Jan-Fabre.jpg?fit=2048%2C1536\" data-orig-size=\"2048,1536\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;2.2&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;iPhone 5s&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1429277073&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;4.15&quot;,&quot;iso&quot;:&quot;40&quot;,&quot;shutter_speed&quot;:&quot;0.030303030303&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"2. Brain Legs (Jan Fabre)\" data-image-description=\"\" data-medium-file=\"https:\/\/i2.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/2.-Brain-Legs-Jan-Fabre.jpg?fit=632%2C474\" data-large-file=\"https:\/\/i2.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/2.-Brain-Legs-Jan-Fabre.jpg?fit=1020%2C765\" loading=\"lazy\" class=\"  wp-image-402 aligncenter\" src=\"https:\/\/i2.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/2.-Brain-Legs-Jan-Fabre.jpg?resize=450%2C338\" alt=\"2. Brain Legs (Jan Fabre)\" width=\"450\" height=\"338\" srcset=\"https:\/\/i2.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/2.-Brain-Legs-Jan-Fabre.jpg?resize=632%2C474 632w, https:\/\/i2.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/2.-Brain-Legs-Jan-Fabre.jpg?resize=1020%2C765 1020w, https:\/\/i2.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/2.-Brain-Legs-Jan-Fabre.jpg?resize=600%2C450 600w, https:\/\/i2.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/2.-Brain-Legs-Jan-Fabre.jpg?w=2048 2048w\" sizes=\"(max-width: 450px) 100vw, 450px\" data-recalc-dims=\"1\" \/><\/a><\/p>\n<p style=\"text-align: center\"><strong>Platz 3:<\/strong><br \/>\n&#8222;Pot Head&#8220; (Paul McCarthy)<br \/>\n<a href=\"https:\/\/i0.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/3.-Pot-Head-Paul-McCarthy.jpg\"><img data-attachment-id=\"403\" data-permalink=\"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/2015\/04\/18\/top-10-skurrilste-kunstwerke\/3-pot-head-paul-mccarthy\/\" data-orig-file=\"https:\/\/i0.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/3.-Pot-Head-Paul-McCarthy.jpg?fit=1536%2C2048\" data-orig-size=\"1536,2048\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;2.2&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;iPhone 5s&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1429099926&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;4.15&quot;,&quot;iso&quot;:&quot;40&quot;,&quot;shutter_speed&quot;:&quot;0.025&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"3. Pot Head (Paul McCarthy)\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/3.-Pot-Head-Paul-McCarthy.jpg?fit=632%2C843\" data-large-file=\"https:\/\/i0.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/3.-Pot-Head-Paul-McCarthy.jpg?fit=1020%2C1360\" loading=\"lazy\" class=\"  wp-image-403 aligncenter\" src=\"https:\/\/i0.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/3.-Pot-Head-Paul-McCarthy.jpg?resize=450%2C600\" alt=\"3. Pot Head (Paul McCarthy)\" width=\"450\" height=\"600\" srcset=\"https:\/\/i0.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/3.-Pot-Head-Paul-McCarthy.jpg?resize=632%2C843 632w, https:\/\/i0.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/3.-Pot-Head-Paul-McCarthy.jpg?resize=1020%2C1360 1020w, https:\/\/i0.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/3.-Pot-Head-Paul-McCarthy.jpg?resize=600%2C800 600w, https:\/\/i0.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/3.-Pot-Head-Paul-McCarthy.jpg?w=1536 1536w\" sizes=\"(max-width: 450px) 100vw, 450px\" data-recalc-dims=\"1\" \/><\/a><\/p>\n<p style=\"text-align: center\"><strong>Platz 4:<\/strong><br \/>\n&#8222;little Hans nightlight&#8220; (Eoin Mc Hugh)<br \/>\n<a href=\"https:\/\/i2.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/4.-little-Hans-nightlight-Eoin-Mc-Hugh.jpg\"><img data-attachment-id=\"404\" data-permalink=\"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/2015\/04\/18\/top-10-skurrilste-kunstwerke\/4-little-hans-nightlight-eoin-mc-hugh\/\" data-orig-file=\"https:\/\/i2.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/4.-little-Hans-nightlight-Eoin-Mc-Hugh.jpg?fit=2048%2C1536\" data-orig-size=\"2048,1536\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;2.2&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;iPhone 5s&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1429100709&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;4.15&quot;,&quot;iso&quot;:&quot;40&quot;,&quot;shutter_speed&quot;:&quot;0.0333333333333&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"4. little Hans nightlight (Eoin Mc Hugh)\" data-image-description=\"\" data-medium-file=\"https:\/\/i2.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/4.-little-Hans-nightlight-Eoin-Mc-Hugh.jpg?fit=632%2C474\" data-large-file=\"https:\/\/i2.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/4.-little-Hans-nightlight-Eoin-Mc-Hugh.jpg?fit=1020%2C765\" loading=\"lazy\" class=\"  wp-image-404 aligncenter\" src=\"https:\/\/i2.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/4.-little-Hans-nightlight-Eoin-Mc-Hugh.jpg?resize=450%2C338\" alt=\"4. little Hans nightlight (Eoin Mc Hugh)\" width=\"450\" height=\"338\" srcset=\"https:\/\/i2.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/4.-little-Hans-nightlight-Eoin-Mc-Hugh.jpg?resize=632%2C474 632w, https:\/\/i2.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/4.-little-Hans-nightlight-Eoin-Mc-Hugh.jpg?resize=1020%2C765 1020w, https:\/\/i2.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/4.-little-Hans-nightlight-Eoin-Mc-Hugh.jpg?resize=600%2C450 600w, https:\/\/i2.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/4.-little-Hans-nightlight-Eoin-Mc-Hugh.jpg?w=2048 2048w\" sizes=\"(max-width: 450px) 100vw, 450px\" data-recalc-dims=\"1\" \/><\/a><\/p>\n<p style=\"text-align: center\"><strong>Platz 5:<\/strong><br \/>\n&#8222;Migrants&#8220; (Yoan Capote)<br \/>\n<a href=\"https:\/\/i2.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/5.-Migrants-Yoan-Capote.jpg\"><img data-attachment-id=\"405\" data-permalink=\"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/2015\/04\/18\/top-10-skurrilste-kunstwerke\/5-migrants-yoan-capote\/\" data-orig-file=\"https:\/\/i2.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/5.-Migrants-Yoan-Capote.jpg?fit=1536%2C2048\" data-orig-size=\"1536,2048\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;2.2&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;iPhone 5s&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1429276765&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;4.15&quot;,&quot;iso&quot;:&quot;320&quot;,&quot;shutter_speed&quot;:&quot;0.030303030303&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"5. Migrants (Yoan Capote)\" data-image-description=\"\" data-medium-file=\"https:\/\/i2.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/5.-Migrants-Yoan-Capote.jpg?fit=632%2C843\" data-large-file=\"https:\/\/i2.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/5.-Migrants-Yoan-Capote.jpg?fit=1020%2C1360\" loading=\"lazy\" class=\"  wp-image-405 aligncenter\" src=\"https:\/\/i2.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/5.-Migrants-Yoan-Capote.jpg?resize=450%2C600\" alt=\"5. Migrants (Yoan Capote)\" width=\"450\" height=\"600\" srcset=\"https:\/\/i2.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/5.-Migrants-Yoan-Capote.jpg?resize=632%2C843 632w, https:\/\/i2.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/5.-Migrants-Yoan-Capote.jpg?resize=1020%2C1360 1020w, https:\/\/i2.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/5.-Migrants-Yoan-Capote.jpg?resize=600%2C800 600w, https:\/\/i2.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/5.-Migrants-Yoan-Capote.jpg?w=1536 1536w\" sizes=\"(max-width: 450px) 100vw, 450px\" data-recalc-dims=\"1\" \/><\/a><\/p>\n<p style=\"text-align: center\"><strong>Platz 6:<\/strong><br \/>\n&#8222;Ohne Titel&#8220; (Erwin Wurm)<br \/>\n<a href=\"https:\/\/i1.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/6.-Ohne-Titel-Erwin-Wurm.jpg\"><img data-attachment-id=\"406\" data-permalink=\"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/2015\/04\/18\/top-10-skurrilste-kunstwerke\/6-ohne-titel-erwin-wurm\/\" data-orig-file=\"https:\/\/i1.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/6.-Ohne-Titel-Erwin-Wurm.jpg?fit=1536%2C2048\" data-orig-size=\"1536,2048\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;2.2&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;iPhone 5s&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1429276308&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;4.15&quot;,&quot;iso&quot;:&quot;40&quot;,&quot;shutter_speed&quot;:&quot;0.02&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"6. Ohne Titel (Erwin Wurm)\" data-image-description=\"\" data-medium-file=\"https:\/\/i1.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/6.-Ohne-Titel-Erwin-Wurm.jpg?fit=632%2C843\" data-large-file=\"https:\/\/i1.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/6.-Ohne-Titel-Erwin-Wurm.jpg?fit=1020%2C1360\" loading=\"lazy\" class=\"  wp-image-406 aligncenter\" src=\"https:\/\/i1.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/6.-Ohne-Titel-Erwin-Wurm.jpg?resize=450%2C600\" alt=\"6. Ohne Titel (Erwin Wurm)\" width=\"450\" height=\"600\" srcset=\"https:\/\/i1.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/6.-Ohne-Titel-Erwin-Wurm.jpg?resize=632%2C843 632w, https:\/\/i1.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/6.-Ohne-Titel-Erwin-Wurm.jpg?resize=1020%2C1360 1020w, https:\/\/i1.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/6.-Ohne-Titel-Erwin-Wurm.jpg?resize=600%2C800 600w, https:\/\/i1.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/6.-Ohne-Titel-Erwin-Wurm.jpg?w=1536 1536w\" sizes=\"(max-width: 450px) 100vw, 450px\" data-recalc-dims=\"1\" \/><\/a><\/p>\n<p style=\"text-align: center\"><strong>Platz 7:<\/strong><br \/>\n&#8222;Ohne Titel&#8220; (Folkert de Jong)<br \/>\n<a href=\"https:\/\/i1.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/7.-Ohne-Titel-Folkert-de-Jong.jpg\"><img data-attachment-id=\"407\" data-permalink=\"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/2015\/04\/18\/top-10-skurrilste-kunstwerke\/7-ohne-titel-folkert-de-jong\/\" data-orig-file=\"https:\/\/i1.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/7.-Ohne-Titel-Folkert-de-Jong.jpg?fit=1536%2C2048\" data-orig-size=\"1536,2048\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;2.2&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;iPhone 5s&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1429277462&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;4.15&quot;,&quot;iso&quot;:&quot;320&quot;,&quot;shutter_speed&quot;:&quot;0.0333333333333&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"7. Ohne Titel (Folkert de Jong)\" data-image-description=\"\" data-medium-file=\"https:\/\/i1.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/7.-Ohne-Titel-Folkert-de-Jong.jpg?fit=632%2C843\" data-large-file=\"https:\/\/i1.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/7.-Ohne-Titel-Folkert-de-Jong.jpg?fit=1020%2C1360\" loading=\"lazy\" class=\"  wp-image-407 aligncenter\" src=\"https:\/\/i1.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/7.-Ohne-Titel-Folkert-de-Jong.jpg?resize=450%2C600\" alt=\"7. Ohne Titel (Folkert de Jong)\" width=\"450\" height=\"600\" srcset=\"https:\/\/i1.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/7.-Ohne-Titel-Folkert-de-Jong.jpg?resize=632%2C843 632w, https:\/\/i1.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/7.-Ohne-Titel-Folkert-de-Jong.jpg?resize=1020%2C1360 1020w, https:\/\/i1.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/7.-Ohne-Titel-Folkert-de-Jong.jpg?resize=600%2C800 600w, https:\/\/i1.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/7.-Ohne-Titel-Folkert-de-Jong.jpg?w=1536 1536w\" sizes=\"(max-width: 450px) 100vw, 450px\" data-recalc-dims=\"1\" \/><\/a><\/p>\n<p style=\"text-align: center\"><strong>Platz 8:<\/strong><br \/>\nUnited Enemies &#8211; A Play in Ten Scenes (Thomas Sch\u00fctte)<br \/>\n<a href=\"https:\/\/i0.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/8.-United-Enemies-A-Play-in-Ten-Scenes-Thomas-Sch\u00fctte.jpg\"><img data-attachment-id=\"408\" data-permalink=\"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/2015\/04\/18\/top-10-skurrilste-kunstwerke\/8-united-enemies-a-play-in-ten-scenes-thomas-schuette\/\" data-orig-file=\"https:\/\/i0.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/8.-United-Enemies-A-Play-in-Ten-Scenes-Thomas-Sch\u00fctte.jpg?fit=2498%2C1260\" data-orig-size=\"2498,1260\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;2.2&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;iPhone 5s&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1429277677&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;4.15&quot;,&quot;iso&quot;:&quot;125&quot;,&quot;shutter_speed&quot;:&quot;0.00649350649351&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"8. United Enemies &#8211; A Play in Ten Scenes (Thomas Sch\u00fctte)\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/8.-United-Enemies-A-Play-in-Ten-Scenes-Thomas-Sch\u00fctte.jpg?fit=632%2C319\" data-large-file=\"https:\/\/i0.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/8.-United-Enemies-A-Play-in-Ten-Scenes-Thomas-Sch\u00fctte.jpg?fit=1020%2C514\" loading=\"lazy\" class=\"  wp-image-408 aligncenter\" src=\"https:\/\/i0.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/8.-United-Enemies-A-Play-in-Ten-Scenes-Thomas-Sch\u00fctte.jpg?resize=451%2C228\" alt=\"8. United Enemies - A Play in Ten Scenes (Thomas Sch\u00fctte)\" width=\"451\" height=\"228\" srcset=\"https:\/\/i0.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/8.-United-Enemies-A-Play-in-Ten-Scenes-Thomas-Sch\u00fctte.jpg?resize=632%2C319 632w, https:\/\/i0.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/8.-United-Enemies-A-Play-in-Ten-Scenes-Thomas-Sch\u00fctte.jpg?resize=1020%2C514 1020w, https:\/\/i0.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/8.-United-Enemies-A-Play-in-Ten-Scenes-Thomas-Sch\u00fctte.jpg?resize=600%2C303 600w, https:\/\/i0.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/8.-United-Enemies-A-Play-in-Ten-Scenes-Thomas-Sch\u00fctte.jpg?w=2040 2040w\" sizes=\"(max-width: 451px) 100vw, 451px\" data-recalc-dims=\"1\" \/><\/a><\/p>\n<p style=\"text-align: center\"><strong>Platz 9:<\/strong><br \/>\neinen leicht (Jonas Burgert)<br \/>\n<a href=\"https:\/\/i1.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/9.-einen-leicht-Jonas-Burgert.jpg\"><img data-attachment-id=\"409\" data-permalink=\"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/2015\/04\/18\/top-10-skurrilste-kunstwerke\/9-einen-leicht-jonas-burgert\/\" data-orig-file=\"https:\/\/i1.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/9.-einen-leicht-Jonas-Burgert.jpg?fit=1536%2C2048\" data-orig-size=\"1536,2048\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;2.2&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;iPhone 5s&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1429277197&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;4.15&quot;,&quot;iso&quot;:&quot;32&quot;,&quot;shutter_speed&quot;:&quot;0.030303030303&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"9. einen leicht (Jonas Burgert)\" data-image-description=\"\" data-medium-file=\"https:\/\/i1.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/9.-einen-leicht-Jonas-Burgert.jpg?fit=632%2C843\" data-large-file=\"https:\/\/i1.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/9.-einen-leicht-Jonas-Burgert.jpg?fit=1020%2C1360\" loading=\"lazy\" class=\"  wp-image-409 aligncenter\" src=\"https:\/\/i1.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/9.-einen-leicht-Jonas-Burgert.jpg?resize=450%2C600\" alt=\"9. einen leicht (Jonas Burgert)\" width=\"450\" height=\"600\" srcset=\"https:\/\/i1.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/9.-einen-leicht-Jonas-Burgert.jpg?resize=632%2C843 632w, https:\/\/i1.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/9.-einen-leicht-Jonas-Burgert.jpg?resize=1020%2C1360 1020w, https:\/\/i1.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/9.-einen-leicht-Jonas-Burgert.jpg?resize=600%2C800 600w, https:\/\/i1.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/9.-einen-leicht-Jonas-Burgert.jpg?w=1536 1536w\" sizes=\"(max-width: 450px) 100vw, 450px\" data-recalc-dims=\"1\" \/><\/a><\/p>\n<p style=\"text-align: center\"><strong>Platz 10:<\/strong><br \/>\nDirty Bird (Jan Scharrelmann)<br \/>\n<a href=\"https:\/\/i0.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/10.-Dirty-Bird-Jan-Scharrelmann.jpg\"><img data-attachment-id=\"410\" data-permalink=\"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/2015\/04\/18\/top-10-skurrilste-kunstwerke\/10-dirty-bird-jan-scharrelmann\/\" data-orig-file=\"https:\/\/i0.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/10.-Dirty-Bird-Jan-Scharrelmann.jpg?fit=1536%2C2048\" data-orig-size=\"1536,2048\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;2.2&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;iPhone 5s&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1429101401&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;4.15&quot;,&quot;iso&quot;:&quot;50&quot;,&quot;shutter_speed&quot;:&quot;0.0333333333333&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"10. Dirty Bird (Jan Scharrelmann)\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/10.-Dirty-Bird-Jan-Scharrelmann.jpg?fit=632%2C843\" data-large-file=\"https:\/\/i0.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/10.-Dirty-Bird-Jan-Scharrelmann.jpg?fit=1020%2C1360\" loading=\"lazy\" class=\"  wp-image-410 aligncenter\" src=\"https:\/\/i0.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/10.-Dirty-Bird-Jan-Scharrelmann.jpg?resize=450%2C600\" alt=\"10. Dirty Bird (Jan Scharrelmann)\" width=\"450\" height=\"600\" srcset=\"https:\/\/i0.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/10.-Dirty-Bird-Jan-Scharrelmann.jpg?resize=632%2C843 632w, https:\/\/i0.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/10.-Dirty-Bird-Jan-Scharrelmann.jpg?resize=1020%2C1360 1020w, https:\/\/i0.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/10.-Dirty-Bird-Jan-Scharrelmann.jpg?resize=600%2C800 600w, https:\/\/i0.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/10.-Dirty-Bird-Jan-Scharrelmann.jpg?w=1536 1536w\" sizes=\"(max-width: 450px) 100vw, 450px\" data-recalc-dims=\"1\" \/><\/a><\/p>\n<p style=\"text-align: left\"><em>Autoren: Lucian Ackva &amp; Andreas Jerko<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<div class=\"entry-summary\">\nPlatz 1: &#8222;Schauspieler&#8220; (Isa Genzken) Platz 2: &#8222;Brain Legs&#8220; (Jan Fabre) Platz&hellip;\n<\/div>\n<div class=\"link-more\"><a href=\"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/2015\/04\/18\/top-10-skurrilste-kunstwerke\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &ldquo;Top 10 &#8211; Skurrilste Kunstwerke&rdquo;<\/span>&hellip;<\/a><\/div>\n","protected":false},"author":19,"featured_media":411,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[27],"tags":[],"jetpack_featured_media_url":"https:\/\/i1.wp.com\/journalcologne.hmkw.de\/kunstundkoeln\/wp-content\/uploads\/sites\/21\/2015\/04\/Top-10-Skurril.jpg?fit=800%2C600","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p63LW5-6s","_links":{"self":[{"href":"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-json\/wp\/v2\/posts\/400"}],"collection":[{"href":"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-json\/wp\/v2\/users\/19"}],"replies":[{"embeddable":true,"href":"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-json\/wp\/v2\/comments?post=400"}],"version-history":[{"count":3,"href":"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-json\/wp\/v2\/posts\/400\/revisions"}],"predecessor-version":[{"id":492,"href":"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-json\/wp\/v2\/posts\/400\/revisions\/492"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-json\/wp\/v2\/media\/411"}],"wp:attachment":[{"href":"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-json\/wp\/v2\/media?parent=400"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-json\/wp\/v2\/categories?post=400"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/journalcologne.hmkw.de\/kunstundkoeln\/wp-json\/wp\/v2\/tags?post=400"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}